Throughout my childhood the idea of a piggy bank sat at the forefront of my concept of money. My father has a very old, handmade, stoneware piggy bank with a large cork plug - a piggy bank that my tiny hands would fit perfectly into when I wanted to go buy candy at the gas station down the street.
However, as I grew older the idea of saving even the smallest amounts of money became increasingly logical and idealistic. Saving money, and being patient to spend it hooked itself into my idea of how to be a grown-up. Soon it became a practice of my own, although I just put my spare change in a cup.
When my love for ceramics grew into an opportunity that would positively shape me into the artist I am today, an internship at Red Star Studios, I got the amazing opportunity to meet very skilled, active, and challenging artists. One of these, Tommy Frank, who was my boss at the time, helped me with every technical problem I encountered due to his knowledge base of ceramic information that still inspires me. That is part of my reason and drive to learn all I can about ceramics - to help others when they need it. He allowed me to test glazes and materials that formed the basis of my chemical understanding of ceramics, an understanding that has aided me through my entire career as an artist.
At the end of my (first) internship with Tommy, he gave me this piggy bank as a symbol of thanks for the help I'd given him. Now, heavy with a pile of coins this piggy bank sits as a reminder of where I came from, what my goals are, and who has and still does inspire me both as an artist and a person.
Plus, I finally have a place to put my coins.
Tuesday, February 23, 2016
Personal Object
Tuesday, February 16, 2016
Research: Architecture
My designs will be influenced by concepts of architecture - both aesthetically and technically. Linear, rigid forms as well as ideas of support and foundations will be used. Although aspects of various period designs (i.e. flying buttress and cantilever) could all play a part in design aspects.
Again this semester, the possibility of metal wire in ceramic could also play a part in the design of the final pieces. Using architecture as a reference, hopefully I'll be able to accomplish more complex metal structures - if that's the road I take.
Whether or not architectural aspects will be directly referenced, I do not know. The ideas of those aspects is more what I'm interested in - how a an architectural form could both physically and visual hold up another element.
Again this semester, the possibility of metal wire in ceramic could also play a part in the design of the final pieces. Using architecture as a reference, hopefully I'll be able to accomplish more complex metal structures - if that's the road I take.
Support structures design around concepts of architecture and made of stoneware will interact with porcelain vessels. These vessels will most likely be pottery forms as opposed to architectural forms. The connection points post an interesting technical question. They allow for the possibility of a "poked" spot where the porcelain warps to the stoneware form. I do not know if I'll flip the position of stoneware and porcelain, setting the stoneware on top of porcelain as that brings about a statement I am not interested in.
Tuesday, February 9, 2016
Research: Function
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Adam Gruetzmacher
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Ceramic functional pottery has a wide range of uses - from pouring and drinking vessels, to plates and platters, to jars and vases. Rather than narrow done to one specific function to focus on, I've decided to experiment with multiple functions. Simply, I'll be playing with the idea of function in ceramics in general. During this research period I want to ask questions like what constitutes a successful handle (and is that the same as a useful one); how large functional objects should be in comparison to each other; what is the tipping point for non-functional.
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Dave Vachon and Sue
Davis Vachon
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| Matt Fiske |
Along side the research of function, I will be experimenting and searching for the varous methods usedto produce objects of those functions. I will use methods such as slab building, press molding, slip casting, plaster lathing, wheel throwing, and slumping to produce a multitude of objects. I hope to establish a aesthetically conjoined set of functional wares using these various processes. Form, size, and silhouette will be taken into account in the juxtapositions between objects.
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| Victor Babu |
Just as I did last semester, I will be slumping platters along side my research of functional wares to practice use of decorative methods in ceramics. Decals, lusters, and china paints as well as glaze drawing will be tested.
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